Flatiron Festival, Offering IV: Shostakovich: A Life in Three Sonatas: Irina Muresanu, Milena Pajaro-van de Stadt, Julian Schwarz, & Asiya Korepanova

5 PM Doors & Pre-Reception
6 PM Performances
7:30 PM Post-Reception

Gotham Arts is thrilled to host the Flatiron Festival, a chamber music series directed by pianist and composer Asiya Korepanova, featuring seven "offerings" between May 31 and June 14, 2026.

Flatiron Festival
Offering IV

Shostakovich: A Life in Three Sonatas

Irina Muresanu, violin
Milena Pajaro-van de Stadt, viola
Julian Schwarz, cello
Asiya Korepanova, piano

Wine will be served.

Program

Dmitry Shostakovich (1906–1975)
Sonata for Cello and Piano in D minor, Op. 40 (1934)
Sonata for Violin and Piano, Op. 134 (1968)
Sonata for Viola and Piano, Op. 147 (1975)

About the Artists

About Irina Muresanu

Romanian-born violinist Irina Muresanu is an artist equally in demand on both sides of the Atlantic, as she has appeared throughout the United States, Canada, Europe, Asia and South Africa. Ms. Muresanu has firmly established herself as a successful recording artist, and her bold programming with exciting thematic concepts define her as a versatile and innovative performer.
A laureate and winner of top prizes in several prestigious international violin competitions including the Montreal International, Queen Elisabeth, UNISA International String, Washington International, and the Schadt String Competition, Muresanu achieved international acclaim early on. Muresanu’s awards also include the Presser Award, the Arthur Foote Award from the Harvard Musical Association, the Creative and Performing Arts Award from the University of Maryland, a prestigious New Music USA Grant, a Pro Musicis International Award.

Ms. Muresanu's 2025-26 season includes solo, recital and chamber music appearances in renowned venues and festivals. As part of her commitment to innovative repertoire, Muresanu has commissioned from Chickasaw composer Jerod Impichchaachaaha’ Tate the first American Indian violin concerto in history. The exciting world premiere of the work titled “Hattak Hiloha” (Thunder Beings), will take place in June 2026 with the National Orchestra Institute, followed by performances in the Cabrillo Festival (August 2026) and with the National Philharmonic (November 2026), amongst many others. Solo appearances also include a performance and recording of the Elena Ruehr’s Violin Concerto (written for Muresanu) with the Lviv National Philharmonic Orchestra of Ukraine, an extensive tour of Bosnia and Herzegovina as soloist of the Profundis Orchestra from Skopje, North Macedonia, as well as appearances with the Boulder Chamber Orchestra, Symphonicity Orchestra (Virginia), and the Cayman National Orchestra.

Highlights of Muresanu’s season also include concerts in the United States, France, Spain and Romania as recitalist and chamber musician. Muresanu has recently launched a project called “Itineraries”, which follows a geographical trajectory through composers from the respective countries. This season’s journeys are: “From Madrid to Bucharest” (with pianist Daniel del Pino) and “From Tel Aviv to New York” (with cellist Julian Schwarz), with more to follow in future seasons. The acclaimed violinist is an ambassador of Romanian music, which she promotes on a regular basis, often in programs with her long-term duo partner, the pianist Dana Ciocârlie.
In parallel, Muresanu's acclaimed solo violin multi-media program “Four Strings Around the World - which celebrates the diversity of music cultures worldwide through works of composers from five continents - continues to evolve. At the present moment, it includes composers from 5 continents and 18 countries. The ever-evolving project includes staple masterpieces for solo violin such as the Bach Chaconne, alongside commissioned new works of Indian composer Shirish Korde, Native American composer Jerod Impichchaachaaha’ Tate, Nigerian composer Fred Onovwerosuoke, Iranian composer Sanam Gharacheh, and Jamaican composer Mikhail Johnson. Released as a solo violin CD in 2018 by the Grammy-nominated Sono Luminus label, the CD has been called an "illuminating release" by the Boston Globe. The program was highlighted in a Virtual Reality collaboration with the University of Maryland Institute for Advanced Computer Studies.

Muresanu has recently been awarded the prestigious Fulbright U.S. Scholar Award and the Independent Scholarship, Research and Creativity Award from the University of Maryland, for her project “Infinite Strings”: the creation of a platform designed to promote violin music by Romanian composers. She is also the recipient of a three-year National Science Foundation grant and a “Grand Challenges” grant from the University of Maryland for the “Music Education for All through AI and Digital Humanities” research she is conducting at the University of Maryland Institute for Advanced Computer Studies, where she has recently been named Affiliate Faculty.
An active chamber musician and recitalist, Ms. Muresanu is a member of the Boston Trio and has appeared as guest artist in such festivals and venues as New York City’s Bargemusic, Massachusetts’ Rockport Festival, Maine’s Bay Chambers concert series and Bowdoin Festival, Colorado’s Strings in the Mountains and San Juan Music Festival, Hawaii’s Maui Chamber Music Festival, The Netherland’s Reizend Music Festival, Belgium’s Festival van de Leie, and the Rencontres des Musiciennes Festival in France and the Guadeloupe island.

Ms. Muresanu is an avid performer of new music, having had numerous works written and dedicated to her. Her most recent releases are “Irina Muresanu plays Violeta Dinescu” of solo violin works by Violeta Dinescu (September 2023) and “Hybrid, Hints and Hooks” of solo and violin/piano works by Romanian composer Dan Dediu (October 2021), both on Métier label. Other recent recordings include Thomas Oboe Lee’s Violin Concerto (also dedicated to Ms. Muresanu) on the BMOP label, and works by Elena Ruehr for the Avie Records CD “Lift,” included on Keith Powers’ 13 Best Classical Music Recordings of 2016. She has also recorded the complete William Bolcom sonatas on the Centaur label with pianist Michael Lewin, funded by the Copland Recording Grant, and the Guillaume Lekeu and Alberic Magnard late Romantic Violin and Piano Sonatas with pianist Dana Ciocarlie for the French label AR RE-SE (“singing and soaring…[a] sizzling performance.” Fanfare). Of note among additional recordings is the world premiere recording of Marion Bauer’s Sonata for Violin and Piano, with pianist Virginia Eskin for Albany Records.
Irina Muresanu is a Professor in the School of Music, Affiliate Faculty in the Institute for Advanced Computer Studies, and Affiliate Faculty in the Artificial Intelligence Interdisciplinary Institute at the University of Maryland, and has been on the faculties of Boston Conservatory at Berklee. She has been previously on the faculties of Harvard and MIT Music Departments. She holds a prestigious Artist Diploma degree and a Doctor in Musical Arts degree from the New England Conservatory, where she studied with the legendary French violinist Michèle Auclair. Muresanu plays an 1849 Giuseppe Rocca violin and an Étienne Pajeot bow.

About Milena Pajaro-van de Stadt

Praised by Strad magazine as having "lyricism that stood out...a silky tone and beautiful, supple lines," Milena Pajaro-van de Stadt has established herself as one of the most sought-after violists of her generation. In addition to appearances as soloist with the New York String Orchestra at Carnegie Hall, theTokyo Philharmonic, the Jacksonville Symphony, the Sphinx Chamber Orchestra, and Symphony in C, she has performed in recitals and chamber-music concerts throughout the United States, Latin America, Europe and Asia, including an acclaimed 2011 debut recital at London’s Wigmore Hall, which was described in Strad as being "fleet and energetic...powerful and focused."

Ms. Pajaro-van de Stadt was the founding violist of the twice-Grammy-nominated Dover Quartet, and played in the group from 2008-2022. During her time in the group, the Dover Quartet was the First Prize-winner and recipient of every special award at the Banff International String Quartet Competition 2013, and winner of the Gold Medal and Grand Prize in the 2010 Fischoff Chamber Music Competition. Also during her tenure, the Dover Quartet received the Cleveland Quartet Award and an Avery Fisher Career Grant. Her numerous awards also include First Prize at the Lionel Tertis International Viola Competition and top prizes at the the Sphinx Competition and the Tokyo International Viola Competition. While in the Dover Quartet, Ms. Pajaro-van de Stadt was on the faculty at The Curtis Institute of Music and Northwestern University’s Bienen School of Music, and a part of the Quartet in Residence of the Kennedy Center in Washington, D.C. She is now a member of the newly formed piano quartet “Espressivo!” along with acclaimed artists Jaime Laredo, Sharon Robinson, and Anna Polonsky.

A violin student of Sergiu Schwartz and Melissa Pierson-Barrett for several years, she began studying viola with Michael Klotz at the Bowdoin International Music Festival in 2005. Ms. Pajaro-van de Stadt graduated from the Curtis Institute of Music, where she studied with Roberto Diaz, Michael Tree, Misha Amory, and Joseph de Pasquale. She then received her Master's Degree in String Quartet with the Dover Quartet at Rice University's Shepherd School of Music, as a student of James Dunham.

About Julian Schwarz

Julian Schwarz has been heralded from a young age as a cellist destined to rank among the greatest of the 21st century, Julian’s powerful tone, effortless virtuosity, and extraordinarily large color palette are hallmarks of his style.

After making his concerto debut at the age of 11 with the Seattle Symphony, he made his US touring debut with the Moscow Radio Symphony Orchestra in 2010. Since being awarded first prize at the inaugural Schoenfeld International String Competition in Hong Kong, he has led an active career as soloist, performing with the symphony orchestras of Annapolis, Arizona, Boise, Buffalo, Charlotte, Columbus, Delaware, Des Moines, Hartford, Jacksonville, Louisville, Memphis, Modesto, Omaha, Puerto Rico, Richmond, Rochester, San Antonio, San Jose, Sarasota, Syracuse, Toledo, Tucson, Virginia, West Virginia, Wichita, and Winston-Salem, among many others. Internationally, he made his Australian debut with the Queensland Symphony, his Mexican debuts with the Boca del Rio Philharmonic in Veracruz and the Mexico City Philharmonic with frequent collaborator Jorge Mester.
As a chamber musician, Mr. Schwarz performs extensively in recital with pianist Marika Bournaki. In 2016 Schwarz & Bournaki were awarded first prize at the inaugural Boulder International Chamber Music Competition’s “The Art of Duo”, and subsequently embarked on an extensive 10-recital tour of China in March 2017. Mr. Schwarz is a founding member of the New York based touring ensemble “Frisson” and was recently appointed the newest core member of the Olmos Ensemble in San Antonio, TX. He is a member of the Palladium Chamber Players (St Petersburg FL), the Alaria Ensemble (New York NY), and has given over 100 performances at Brooklyn’s Bargemusic. He has appeared at the Cape Cod Chamber Music Festival, Orcas Island Chamber Music Festival, Seattle Chamber Music Festival, Josef Gingold Chamber Music Festival, Verbier Festival, and the Salzburg Mozarteum. In addition, he runs programming for the Tuesday evening chamber music series at the Eastern Music Festival in Greensboro, NC.

Mr. Schwarz is deeply committed to the future of American music, and will present the world premiere of Jennifer Higdon’s first Cello Concertro with a large consortium of orchestras spring 2026. His championing the cello music of Arthur Foote will result in the first commercial recording of Foote’s Cello Concerto (1894) with the Buffalo Philharmonic, to be released on the Delos label. Past commissioning projects include concertos by Lowell Liebermann (recorded with the Annapolis Symphony for release in 2025), Richard Danielpour, and Samuel Jones (recorded with the All Star Orchestra for public television in 2012, subsequently released as a DVD on Naxos). Other premieres include recital works by Paul Frucht, Scott Ordway, Jonathan Cziner, Gavin Fraser, Alex Weiser, Ofer Ben-Amots, Michael Ippolito, chamber music by Adolphus Hailstork, Henri Lazarof, Jonathan Newman, Bright Sheng, and the US Premiere of Dobrinka Tabakova’s Cello Concerto. Of special note is Mr. Schwarz’s ongoing commitment to the music of Jewish experience, including projects with the YIVO Institute for Jewish Research (music of Joachim Stutschewsky and his circle), the Defiant Requiem Foundation (music of Holocaust composers and their influence) Central Synagogue (yearly feature on Jewish Broadcasting), the Milken Archive of American Jewish Music—for which he has recorded the complete cello/piano works of Ernest Bloch, and a new association with South Florida Public Broadcasting to raise awareness of the history of Jewish music.

A devoted teacher, Mr. Schwarz serves as Associate Professor of Cello and String Area Coordinator at Shenandoah Conservatory of Shenandoah University (Winchester, VA), and on the artist faculty of NYU’s Steinhardt School of Music. In the summer, he teaches and performs at the Eastern Music Festival and the Josef Gingold Festival. In 2023, he was one of the first cellists to record pedagogical tutorials for the online teaching platform Tonebase, including comprehensive examinations of the Elgar Concerto, Piatti Caprices, tone production, and vocal elements in cello playing. As a writer, he has contributed frequently to Strings Magazine’s Artist Blog, has written learner’s guides for The Violin Channel, and has edited a series of Ernest Bloch editions with written prefaces for Carl Fischer Publishing. Past faculty appointments include artist-in-residence at the Lunenburg Academy of Music Performance (Nova Scotia, Canada) and faculty teaching assistant to Joel Krosnick at The Juilliard School.

Born in Seattle, WA in 1991 to a multigenerational musical family, Mr. Schwarz studied at the Academy of Music Northwest and the Lakeside School. He continued to the Colburn School in Los Angeles under Ronald Leonard, and then moved to New York City to study with mentor Joel Krosnick at The Juilliard School (BM 14, MM 16). Other influential teachers include the late David Tonkonogui, the late Toby Saks, the late Lynn Harrell, Neal Cary, and chamber music mentors Andre Roy, Arnold Steinhardt, Jonathan Feldman, Toby Appel and Paul Coletti. Julian plays a Neapolitan cello made by Gennaro Gagliano in 1743 and American bows by Paul Martin Siefried. A Pirastro and Melos artist, he endorses and plays the "Perpetual" medium and edition sets of cello strings and Melos light rosin.

What's the music?

Asiya Korepanova Piano

Milena Pajaro-van de Stadt Viola