- Alcoholic and non-alcoholic drinks provided
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Wheelchair access
- Wheelchair Accessible
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- Kid-friendly event
This is a groupmuse
A live concert in a living room, backyard, or another intimate space. They're casual and friendly, hosted by community members.
Host
Cello Beyond Borders presents an intimate evening of music with internationally acclaimed cellist Sandro Sidamonidze and pianist Gleb Ivanov at Saint John’s in the Village in the heart of the West Village.
The program brings together the emotional depth of Beethoven, the poetic imagination of Schumann, and the vibrant folk-inspired colors of Tsintsadze in a recital centered around storytelling, lyricism, and human connection.
Praised by The New York Times as “an intensely focused pianist with a huge, gleaming technique,” Gleb Ivanov performs alongside Sandro Sidamonidze, whose playing was described by the Lansing City Journal as “making time stand still with a low, warm flame of flickering melody.”
We invite you to experience these works up close in the warm acoustics and intimate atmosphere of Saint John’s in the Village, an evening designed not as a formal concert from a distance, but as a shared musical experience.
What's the music?
Robert Schumann
Fantasiestücke, Op. 73
Schumann’s Fantasiestücke open the evening in a world of intimacy and imagination. Originally written for clarinet and piano, the three pieces unfold like fleeting emotional scenes, tender, restless, and deeply personal.
Rather than dramatic virtuosity, Schumann invites the listener inward. Melodies appear almost like spoken thoughts, constantly shifting between longing, warmth, and sudden bursts of passion. The music breathes with extraordinary freedom, as though each phrase is being discovered in the moment.
At the heart of these works lies the essence of Romanticism: vulnerability transformed into poetry.
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Sulkhan Tsintsadze
Five Pieces on Folk Themes
With Tsintsadze, the atmosphere changes completely. Rooted in Georgian folk traditions, these miniatures pulse with rhythmic vitality, earthy lyricism, and dance-like energy.
Behind their immediacy lies an extraordinary sophistication. Tsintsadze transforms folk melodies into vivid concert works that move seamlessly between humor, nostalgia, melancholy, and explosive virtuosity. At moments the cello sings like a human voice; at others it becomes almost percussive, evoking the raw energy of traditional folk instruments and dances.
Placed between Schumann and Beethoven, these works become more than a stylistic contrast, they act as a bridge between intimate Romantic expression and the monumental architecture of Beethoven’s late Classical world.
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Ludwig van Beethoven
Cello Sonata No. 3 in A Major, Op. 69
Beethoven’s Third Cello Sonata stands among the greatest works ever written for cello and piano. Composed during one of the most transformative periods of his life, the sonata redefined the relationship between the two instruments: no longer soloist and accompaniment, but equal voices engaged in profound conversation.
The opening movement unfolds with remarkable breadth and nobility, balancing lyric warmth with symphonic power. The scherzo introduces wit, tension, and rhythmic drive, while the finale bursts forward with radiant momentum and triumph.
What makes Op. 69 extraordinary is not only its scale, but its humanity. Beneath its grandeur lies music of tenderness, struggle, and luminous hope, a work that closes the evening not with spectacle alone, but with a sense of transcendence.
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This is a groupmuse
A live concert in a living room, backyard, or another intimate space. They're casual and friendly, hosted by community members.
Host
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