« More Boston events

Wind and strings with Cape Cod Chamber Players
Living room

Wind and strings with Cape Cod Chamber Players

Jamaica Plain, Boston

Thu, November 19, at 6:30 PM, EST

Reserve a spot $5 to reserve, $20+ at event
Drinking policy
Bring your own drinks
Alcoholic and non-alcoholic drinks provided
Kids
Not designed for kids
This event's geared toward adults, please leave little ones at home.
Pets
Cats live here
Wheelchair access
Not wheelchair accessible
Stairs
Some stairs may be present in the space

This is a groupmuse

A live concert in a living room, backyard, or another intimate space. They're casual and friendly, hosted by community members.

Host

Viki B. Superhost

We are thrilled to welcome back Tim Paek and Jesse MacDonald and some of his Cape Cod Chamber Orchestra players, for an evening of quartets and quintets featuring oboe, cello, violin, and viola. Please join us!

What's the music?

Jesse MacDonald Viola
Mary O'Keefe Oboe
Sophia Bernitz Violin
Michael Hustedde Violin

Beatles | String Quartet Set

Edward Elgar (1857–1934)
Andante sostenuto and Allegro for Oboe Quartet

These contrasting sections reflect Elgar’s gift for melody and expressive atmosphere. The Andante sostenuto offers a lyrical, reflective opening, with the oboe’s singing lines supported by the warmth of the strings. The Allegro brings a livelier pace and greater animation, creating a compact journey from introspection to spirited interplay.

Benjamin Britten (1913–1976)
Phantasy Quartet for Oboe and Strings, Op. 2

Written in 1932 when Britten was just eighteen, the Phantasy Quartet showcases the young composer’s remarkable musical imagination. In a single continuous movement, lyrical melodies, energetic episodes, and shifting instrumental colors create a work of striking variety. The oboe moves between expressive solo passages and lively exchanges with the strings, revealing Britten’s emerging gift for chamber music.

Joseph Haydn (1732-1809)
String Quartet Op. 76, No. 3, ‘Emperor”

Haydn’s Emperor Quartet is a masterful expression of dignity, serenity, and profound humanity. Its nickname comes from the second movement, where four variations unfold upon Haydn’s majestic hymn, “Gott erhalte Franz den Kaiser,” later adopted as the German national anthem. Beneath its graceful Classical elegance lies a remarkable emotional depth. The opening movement balances spirited dialogue with moments of lyrical introspection, while the variations transform a simple melody into expressions of tenderness, nobility, and quiet strength. The final movements bring renewed energy and wit, ultimately celebrating Haydn’s extraordinary ability to unite intellectual sophistication with warmth and expressive beauty.

Location

Exact address sent to approved attendees via email.

Comments

Comment sections are only for participants. Please sign in and reserve a spot above to view comments.

Attendees

Maria M.
+1
Mitchell R.
+1
William M.
Channing P.
Sayuri M.
Sherry G.
Kathryn D.
Beth C.
Sarah B.
Hilary B.
+1
Christina K.